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…between my mainstay Panasonic AG-HMC150, Swann HD Freestyle (think Go Pro), and Kodak Playtouch (your basic Flip style camera). Initially the latter two look pretty good, especially with the water splash. However, if you take the time to check, the details in dark areas and highlights on the fruit are noticeably better on the Panasonic.
Shot in bright sunlight…all cameras on automatic.
My “last” camera arrived a week ago and I’ve been doing something I’ve never done before. Sat down, figured out a testing schedule, read the manual (now THAT was a first) and have been methodically going through the controls. Every other camera I’ve bought I just hit the ground running with.
But this little girl (gonna hafta think up a nice nickname for her) is special. My first non-tape camera in decades (of course that last one was 16mm). Panasonic HCM150.
When I pulled her out of her box and unwrapped her, I shivered. Sleek lines, sturdily built. All of the requisite controls on the OUTSIDE, not in some damn menu.
So here’s the agenda for checkout…something you might consider with your next camera. Keep in mind I’ve built up a good supply of accessories and need to check them out to make sure all is compatible.
First day – Pull from box, scan the manual. Shoot and play back some
tape video, just to see how it looks. Review the manual again re the basics of setup and shooting.
Several days later…sat down with camera and manual and went through everything page by page to get a basic handle on what I need to know to shoot. Dumped a few files into my (five year old) MacBook, iMovie 9 just to see if I could. Imported fine, rough playback. Note to self: next time use a firewire external drive, not the USB drive. But it is nice to know I can get by for a little while longer with my current computer…will get the new one when a paying client appears.
A week later…met up with cohort Larry Nance and we reviewed and did a comparison to cameras we’ve used in the past. This one rocks. Not quite up to broadcast standards (smaller, lighter, 1/3″ chips, different media), but masterfully planned. Made arrangements to meet in a week and do side-by-side shoots with older cameras.
Today…ran audio tests. First, the on-camera mike. Next a wired stick mike (Electovoice 635) and then wired shotgun (Sennheiser ME66) and then each mike run on the wireless (Lectrosonics) system. All worked wonderfully…the shotgun definitely peaks higher than the stick mike and was able to run off phantom power when on the wireless transmitter. That and I walked to the back of my property and the audio was crystal clear at 200 feet on the wireless. Rock on!!!
Next week Larry and I will shoot and post side-by-side comparisons with our older JVC GY-DV300s and my Canon HV20.
Now I want a new carbon fiber tripod!
A word to why the above process is important for teacher/students/newbies: Unless you research thoroughly and even then, problems will develop with equipment. I knew in my heart that all of my older gear would hook up to the new camera. But the worst time to test new systems is when you are under the gun. Plug in everything you’ve got. Take notes. Check out every variation with every item. Be prepared to order adapters or make adaptions. Know your gear.
Oh…and Larry…I finally found the composite outs/RCAs. Hidden over the XLR outs in a well-concealed compartment. (Sneaky, that.)