Ah history. It has a way of repeating itself. Back in 2003 or so I coordinated some video workshops for a local pro shooter’s group and the first year a couple of still shooters turned up. The next year the workshop was stuffed full of them.
Fast forward a decade and it’s happening again – but this time I’m getting queries from DSLR shooters who need to know more about audio for video. They know those not-quite-video-cameras come with an internal mike. And most of them know they need to add on an external (shotgun) mike for better audio. But they also notice that somehow their audio is not as pristine as that of, well…real video shooters. Folks with dedicated video cams.
Now I can’t fault them…there is a kind of look to DSLRs and they can be a whole lot less expensive. But as with any camera, there is a learning curve…and to make a DSLR (or Micro-4/3) camera work as well as a dedicated video cam you need to do some add-ons. And you really really should test your gear to see what is and each separate component are capable of.
So to save time and trouble (for me) I’m just gonna cut and paste a recent facebook conversation. Follow along and learn.
I’d be glad to advise you regarding video cameras and accessories. Specifically what will you use them for – in-studio shooting, video production, news? What kind of budget are you working with? Will you shoot interviews or just b-roll (cover shots)?
Here’s a link to a blog posting I did (and there are additional links to older related postings within the article): https://cyndygreen.wordpress.com/2013/01/06/choosing-a-camera-4-0/
Choosing a camera 4.0…
From the DSLR owner:
I run a budget news website that doesn’t generated revenue yet and I got a Canon Rebel T3i camera to use for interviews and other footage. What I is accessories to enhance the picture and sound quality.
Ouch (I’m more of a straight video format camera person myself). There are a couple of options.First – just get a small size shotgun or directional microphone. This will enhance your audio and allow you to more cleanly pick up sound that is happening where-ever you point the camera.Unfortunately unless it is detachable with a longer cable it may not work well for interviews.Here’s an example: http://www.bhphotovideo.com/c/product/744768-REG/Rode_VIDEOMIC_PRO_VideoMic_Pro_Compact_Shotgun.html
Rode VideoMic Pro Compact Shotgun Microphone VIDEOMIC PRO B&H
This is useful. Thanks
Next option would be a wireless system like this: http://www.bhphotovideo.com/c/product/553684-REG/Sony_UWP_V1_4244_UWP_V1_Wireless_Lavalier_Microphone.htmlI do not specifically recommend either of these mikes – they are just examples.For much less you can also just add on a single lavelier/clip-on mike: http://www.amazon.com/Audio-Technica-ATR-3350-Omnidirectional-Condenser-Microphone/dp/B002HJ9PTO/ref=sr_1_1?ie=UTF8&qid=1389276891&sr=8-1&keywords=audio+technica+lavalier+micThe most important thing is to know what kind of mike jack is built in to your camera (with the T3i it is a 3.5mm or mini-jack) so when you purchase audio gear it will work with the camera.You can also (I know, way way too many choices) go with an add-on adapter that allows you to plug in more than one microphone: http://www.bhphotovideo.com/c/product/962864-REG/beachtek_mcc_2_2_channel_audio_adapter.html
Beachtek MCC-2 2-Channel Audio Adapter and Bracket MCC-2 B&H
With the latter you can plug in two of the lavelier mikes.Disclaimer – I’m only using the B&H website because it is convenient. I don’t work for them and you may find better deals elsewhere.Hope this helps. There are other accessories you should also consider. Tripod is at the top of the list. A simple reflector (you can use a sheet of white cardboard for soft light and glue crumbled aluminum foil to the back for a more intense reflection.
One final note: proximity. The closer the mike to the desired sound source, the cleaner the audio. Two feet or less is preferable.
Addendum: One good way to get to know your gear is to test it. Each time you add something to your kit, test it thoroughly. For example – with mikes. Begin with your on-board mike and start the ole camera rolling. First setup should be in a quiet room or area. Stand three feet away and talk…then (still rolling) back up another three feet and talk in the same tone. Keep that up til you’re twelve feet away. Do this with each mike – those that fix to the camera (shotguns) and those that plug in you can carry or pin on to someone. Do this both in a quiet venue as well as an extremely noisy one. And then listen to the results. And learn.